Now, Penn's on a show where he plays the sensitive divorcé among a gang of skirt chasers. (Also, remember that in the original "Harold and Kumar Go to White Castle," Cho was the one in love.
#Does harold and kumar actors smoke weed series
Prior to that, Cho played Agent Something-or-Other on "FlashForward," another overly-hyped but not-half-bad "event" series that drowned in the wake of "Lost." Not only did Cho get to point a gun, he also got to kiss the girl, sharing a few love scenes with the statuesque Gabrielle Union. Before that, Cho was cast as a sort of Lou Grant to Matthew Perry on the short-lived "Go On." The ensemble comedy was little more than the sum of its parts, but Cho held his own against Perry, who, no matter how many failed vehicles he fronts, will always have some of the best timing and delivery in the business. Maybe his participation was a favor to "Star Trek" writers and "Sleepy Hollow" executive producers Roberto Orci and Alex Kurtzman - hopefully not the other way around. These days you can catch the Korean-American actor on "Sleepy Hollow" as a rubbery-necked undead cop, a creepy/comic cameo that seems a bit below him.
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And John Cho possesses an advantage over a lot of the movie actors out there attempting to find their footing on TV: He's already on TV all the damn time. Don Cheadle's got a modest hit all to himself instead of playing fourth fiddle to Clooney, Pitt and Damon in the "Ocean's" movies. Chris O'Donnell went from backing up Batman and Al Pacino to sharing billing with LL Cool J on a weekly basis. It can be trickier than mastering the Kobayashi Maru (oh, yeah, I'm running with this.) but it has been done and continues to be done. I'm not saying making the jump from a valued big screen asset to a small screen stalwart is the simplest maneuver in the galaxy. So, why doesn't this guy have his own show already? And let's not forget, alongside Kal Penn, Cho once inspired an entire generation of pot smokers to put down their Taco Bell seven-layer burritos and rediscover White Castle. Abrams' $400 million-grossing "Star Trek" reboot and its sequel "Star Trek Into Darkness." As long as that franchise remains at money-making warp speed and Abrams doesn't suddenly decide the Starship Enterprise could do without a pilot - and a killer swordsman - Cho's mug is likely to be a staple in the cineplex for years to come. John Cho may not be a household name just yet, but he is internationally recognizable thanks to his role as Hikaru Sulu in J.J. So if you have the time (because who are you kidding, you have the time), get your munchies ready and watch through these all-time best stoner movies.I'm just going to step out onto the rim of the alien, sub-orbital drilling rig and declare this one an utter no-brainer. If you want even more of a hip-hop flavor to your stoner movie watch, Redman and Method Man become hip-hop Cheech & Chong in their blazed classic How High.
And speaking of blazing series', as of June 2018, Ice Cube is finishing the script for Last Friday, the fourth film in the Friday franchise. An enormous hell hole swallows most of the party, leaving the survivors to fight over weed, a Milky Way, and who’s allowed to jizz in Franco’s place.įor more of a throwback, Harold & Kumar’s weed trilogy remains a “must smoke and see.” Just be warned, there’s equally as much 3D penis as there is cannabis in the most recent installment, 2011's A Very Harold & Kumar 3D Christmas. After getting super high, Seth Rogen and Jay Baruchel hit up an eccentric James Franco house party, where Seth struggles to merge his old and new friends as the world goes to complete shit. Just when we thought James Franco couldn’t outshine himself as the quintessential pothead in Pineapple Express, he made a comeback in 2013's This is the End. Have you heard of Cheech and Chong, man? These red-eyed actors paved the way for a steady release of stoner films that no hippie could refuse-not even your mom.Īs marijuana has become more accepted and mainstream, more brainless stoner comedies have hit the scene. Over time the 1978 pot-loving film Up in Smoke has transitioned from a weeded-up memory to one of High Times' classic weed movies. Stoner movies have made a market of their own beginning in the 1970s, when the original stoner flick hit the big screen.
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